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Hedy Habra

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The Memory of Unspoken Words

After Siren by Frédéric Clement

She has landed on the deck of an abandoned wreck, fails to

remember how she swallowed the fiery ball that pulled her like a

tidal wave into the stillness of a metallic sky steeped in lavender

where angry clouds hover around the drowning sun suffused with

coral. Her pillow is a melted cloud filled with birds that forgot how

to fly and now swim in a pool that overflows the deck, washing the

souls of dead sailors from every leak and corner. She presses on her

eyelids to find a different ending to their story, sees her body glow

with scales and the fish in the pool grow wings. She knows every

drop of water will vanish at dawn, erasing with black ink her

luminous shape alive only in the formless night, and the rainbow will

soon shine over a boat with discarded bags heavy with the stained

memory of unspoken words and broken planks.

First published by Pirene’s Fountain & Aeolian Harp Series Anthology of Poetry Folios, Vol 3

From Under Brushstrokes (Press 53 2015)

The Upright Piano

After Piano on Fire by Andrew Ferez

I see myself out in the cold, draped in a silk nightgown, seated

barefoot on a stool by that upright piano, you know, the one my

mother bought when she thought I should take piano lessons, while

others played during recess, oh, how I first struggled striking notes

daily, practicing scales, then rehearsing Mozart’s “Rondo alla Turca”

till I’d play it in my mind relentlessly, tan tan tan . . . tan tan tan . . .

even when I knew I’d never learn another piece, and now, half a

century later, I am drawing with memory’s wavering lines that same

piano to make it the vessel of my heart’s message, of so much left

unsaid buried in a bitter well turning into notes that rise in tongues of

cold fire licking my insides with every key I touch, unharmed, I feel

the piano ablaze under my fingertips, twisted candles adorn its top

that grows into a tower and turrets spouting flames from windows,

a menace to the adjacent branches, my fingers wildly strike the

keyboard while the sky opens up like a stage filled with shimmering

damask memories dancing to the melody like maddened fireflies.

First published by Knot Magazine

From Under Brushstrokes (Press 53 2015)

Desert Song

After The Kiss by Federico Zarco

It all started when he set out in his suit and tie, searching for a sand

rose in the desert. Wandering through dream’s thresholds, he hoped

to unearth a treasure that would resist the drought of feelings, each

millenary facet telling of the innumerable ways love can be

immortalized. He must have taken a wrong turn since all he found,

erect like a menhir, was a fossil. Was it the hip of a dinosaur, or

rather a Titan’s, lost from times beyond memory, so smoothed by

the scorching sun that it bore no signs? Looking closely he saw an

open jaw with pointed teeth and a hole where an eye once stared. He

feared he had to return empty handed in time for his date, but

realized with terror that he had no recollection of the path

that led him there.

First published by Danse Macabre

From Under Brushtrokes (Press 53 2015)

The Camisole

After Hotel Room, by Leslie Sealey

The silk fabric slides between my fingers, I still feel the softness of its

essential oils, permeating my skin, pungent and smooth as though I’d

woven it just for you with spikes harvested from endless lavender

fields in Provence, or as though I were a silk worm raised on

lavender petals, and I’d spun that silken thread to wrap around me

when you’d finally come, all that and more I dreamt of offering you,

year after year, and here we are, that is, my camisole and I, waiting

for you in the silence of that hotel room.

First published by The Innisfree Poetry Journal

From Under Brushstrokes (Press 53 2015)

Or Could I Finally Be Allowed to Leave My Analyst?

After Woman Leaving the Psychoanalyst by Remedios Varo

I am leaving his office with my hair standing on end. No iphone at hand, or else that

would have made a great selfie. I walk out with a steady stride, tired of these useless

sessions. After all, am I not reconciled with my dark side? No more makeup to hide

the once widening circles around my eyes: I’ll let the gray show on my temples, allow

my electric hair to rise and curl at will, catching sunlight and moonbeams in its

spires. I don’t need him anymore but he doesn’t seem to know it. There’s still work to

be done, he says, wants me back over and over again. I have no more stories to tell,

no more foggy areas to recover, forge and weld. Has he become addicted to my

voice, or does he see his own shadow reflected in my dreams? See, this is the story

of my life: analyzing instead of being analyzed, entertaining instead of being

entertained.

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